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  • In 1968, a young reporter took a tape recorder with him to Johnny Cash's concert inside Folsom Prison. Beley's recording is familiar, but it's from an entirely new perspective: that of the audience.
  • Raquel Coronell Uribe, a history and literature major from Miami, calls the role a "huge" honor: "Even if it took 148 years, I'm thrilled that I get to be in the position to be that first person."
  • Reporter Nigel Jaquiss is among this year's Pulitzer Prize winners. Jaquiss, of Willamette Week of Portland, Ore., won for his investigative reporting on a 30-year state secret: The story of former Gov. Neil Goldschmidt's sexual abuse of a 14-year-old girl.
  • NPR's Steve Inskeep talks to Anna Gifty Opoku-Agyeman, editor of the Black Agenda, about celebrating Juneteenth without misappropriating the holiday.
  • In her 80 years, the celebrated author and artist Maya Angelou has had many roles — performer, activist, writer and Renaissance woman. In honor of her April 4 birthday, Angelou's close friends and family have published a new book looking back at her life and passions.
  • In the spring of 1970, a daring new product hit American newsstands. It was called National Lampoon, and it made its name with sex- and drug-laden satire of everyday American life. Drunk Stoned Brilliant Dead is Lampoon contributor Rick Meyerowitz's account of the magazine's best years.
  • From a check-in on the fallout of a devastating scandal to a look at safety efforts at zoos, these stories give us more detail on the news we thought we knew.
  • According to author Elizabeth Berg, Beat This! is more than just a cookbook — it's a humor book, a self-help book and a kind of bible.
  • British literary historian Rebecca Stott admires Moby-Dick, "a cauldron into which Melville, demented alchemist, tipped everything that fascinated him: whale lore ... meditations on love, friendship, dreams, demonic possession," and much more.
  • Salvant explores the quaint art of jazz singing, but with her own aesthetic idiosyncrasies intact. Her toolbox contains anywhere from a rich, husky voice to one that tiptoes theatrically, girlishly.
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